Melia Bensussen, Artistic Director
Position endowed by Janet S. Suisman
Melia Bensussen is an award-winning director and artistic leader who has directed extensively at leading theatres throughout the country since 1984, including productions at the Huntington Theatre Company, Sleeping Weazel, Shakespeare & Company, Actors’ Shakespeare Project, La Jolla Playhouse, Baltimore Center Stage, Hartford Stage, Oregon Shakespeare Festival, the New York Shakespeare Festival, Manhattan Class Company, Primary Stages, Long Wharf Theatre, Cincinnati Playhouse, Actors Theatre of Louisville, Merrimack Repertory Theatre, People’s Light and Theatre Company, Bay Street Theatre and Playwrights Horizons, among others.
Raised in Mexico City, Bensussen is fluent in Spanish and has translated and adapted a variety of texts, including her edition of the Langston Hughes translation of Federico Garcia Lorca’s Blood Wedding. She is currently working on commissions and productions at the Huntington Theatre Company and ArtsEmerson in Boston.
Her acclaimed work with new plays has taken her to the Eugene O’Neill Theater Center, New York Stage and Film, PlayPenn, The Playwrights’ Center, Sundance, and other new play programs across the United States. Ongoing collaborations with playwrights include such distinguished writers as Kirsten Greenidge, Melinda Lopez, Jeffrey Hatcher, Masha Obolensky, Charlotte Meehan, and Kate Snodgrass. She has been lucky to have the opportunity to collaborate with a range of American playwrights, including Annie Baker, Mat Smart, Edwin Sanchez, Nick Gandiello, Eduardo Machado, Jose Rivera, Lee Blessing, Richard Dresser, and Willy Holtzman.
A graduate of Brown University, Bensussen currently serves as the Chair of the Arts Advisory Board for the Princess Grace Foundation and for the past eleven years has chaired the Performing Arts Department at Emerson College. She also serves on the executive board of the Stage Directors and Choreographers Society (SDC).
Cynthia Rider, Managing Director
Rider is the eighth Managing Director at Hartford Stage, joining recently-appointed Artistic Director Melia Bensussen.
Rider became the Oregon Shakespeare Festival’s (OSF) third executive director in 2013. While at OSF, she successfully worked with the board and noted Artistic Director, Bill Rauch, in the creation of a ten-year strategic plan, oversaw an increase in contributed income of more than 20 percent, and participated in artistic initiatives that resulted in three OSF-commissioned plays moving to Broadway, with one winning the Tony Award for Best Play and another winning the Pulitzer Prize.
Additional highlights of Rider’s successful tenure at OSF include the creation of the Access for All campaign, which renovated the courtyard in front of OSF’s theatres and added an elevator and wheelchair seating to the Bowmer Theatre, and the opening of the new Hay-Patton Rehearsal Center – all while producing a repertory season of eleven productions in three theatres, managing an annual operating budget of $40 million and offering a number of educational and community engagement programs for audiences and students.
Prior to joining OSF, Cynthia Rider spent nine years at Kansas City Repertory Theatre as Managing Director and, earlier, as Associate Director for Advancement and Administration. Her experience also includes six years as Executive Director of the Kansas City Friends of Alvin Ailey. She served as Associate Director, later promoted to Acting Director, of the Massachusetts Manufacturing Partnership, which worked to strengthen small and medium-sized manufacturers across the state.
Rider’s theatre experience also includes time spent on the stage. After graduating from Boston University, she started her theatre career as a resident company member, guest artist and young company actor at the Alley Theatre in Houston.