Our Leaders

Our Leaders

Darko Tresnjak

Darko Tresnjak, Artistic Director*

In 2011, Darko Tresnjak became only the fifth artistic director to lead Hartford Stage. Since then the theatre has presented the world premieres of A Gentleman's Guide to Love and Murder on Broadway, winner of four 2014 Tony Awards, including Best Musical and Best Direction of a Musical by Darko; Quiara Alegría Hudes’ Water by the Spoonful, winner of the 2012 Pulitzer Prize for Drama; Breath & Imagination by Daniel Beaty; and Big Dance Theatre’s Man in a Case with Mikhail Baryshnikov.

Darko Tresnjak was the Artistic Director of the Old Globe Shakespeare Festival in San Diego from 2004 to 2009.  His directing credits at the Old Globe include Cyrano de Bergerac, Coriolanus, The Women, The Pleasure of His Company, All's Well That Ends Well, Bell, Book and Candle, Hamlet, Titus Andronicus, A Midsummer Night's Dream, The Winter's Tale, A Comedy of Errors, Antony and Cleopatra, The Two Noble Kinsmen, and Pericles.  He received four awards from the San Diego Theatre Critics Circle:  for outstanding direction of Cyrano de Bergerac, The Winter's Tale, and Pericles and for Excellence in Artistic Direction.

Tresnjak's directing career began at the Williamstown Theatre Festival where over eight seasons he directed The Skin of Our Teeth, Rosencrantz and Guildenstern Are Dead, The Love of Three Oranges, Princess Turandot, The Blue Demon, The Winter's Tale, Moving Picture, and Under Milk Wood.  He has also directed at the Joseph Papp Public Theater, Theatre for a New Audience, Oregon Shakespeare Festival, Chicago Shakespeare Theater, Vineyard Theatre Company, and Blue Light Theater Company.  From 2002-2004 he was Director in Residence at Boston's Huntington Theatre Company where his productions included What the Butler Saw, Heartbreak House, and Amphitryon.

Tresnjak grew up in Yugoslavia, the United States and Poland.  He was educated at Swarthmore College and Columbia University and became an American citizen shortly after graduation. Between college and graduate school, he studied at the Martha Graham School, performed with numerous Philadelphia dance and theatre companies, and toured across the United States and Japan with Mum Puppettheatre.  He is the recipient of grants from Theatre Communications Group, Pennsylvania Council on the Arts, National Endowment for the Arts, and the Alan Schneider Award for Directing Excellence.
* Position permanently endowed by Janet S. Suisman

Elizabeth Williamson

Elizabeth Williamson, Associate Artistic Director

Prior to her appointment as Associate Artistic Director, Elizabeth Williamson served as Senior Dramaturg and Director of New Play Development for Hartford Stage.

Ms. Williamson has played a pivotal role in new play development at Hartford Stage since joining Hartford Stage in 2012. Over the years, Williamson has developed new work with Brooke Berman, Bill Cain, Sheila Callaghan, Robert Freedman and Steven Lutvak, Kyle Jarrow, Julie Jensen, Kimber Lee, Matthew Lopez, Wendy MacLeod, T.D. Mitchell, Peter Morris, Brighde Mullins, Janine Nabers, Dan O’Brien, Dominique Serrand and Steve Epp, Octavio Solis, Bess Wohl, Lauren Yee, and Mary Zimmerman. More recently, Ms. Williamson translated La Dispute by French playwright Pierre Marivaux in the 50th anniversary season for Hartford Stage and helmed the theatre’s Brand:New Festival in its final years. Ms. Williamson also helped launch the Hartford Stage world premieres of the Tony Award-winning musical A Gentleman’s Guide to Love and Murder (2012); Big Dance Theatre’s Man in a Case (2013); Breath & Imagination (2013); and Matthew Lopez’s Reverberation (2015).

Before joining Hartford Stage, Ms. Williamson served as Associate Artistic Director and Literary Manager for Pioneer Theatre Company in Salt Lake City, Utah. A dramaturg, director, producer, and translator, she has also worked with About Face Theatre, the American Conservatory Theater, the Bay Area Playwrights Festival, Court Theatre, HERE Arts Center, the La Jolla Playhouse, Lorin Maazel’s Castleton Festival, the Magic Theatre, Steppenwolf, Theatre de la Jeune Lune, and the Williamstown Theatre Festival.

Ms. Williamson received a Bachelor of Arts Degree in Theatre Directing and Comparative Literature from Bennington College in Vermont and a Master’s Degree in European Literature from Oxford University in England.  She trained at the French school of physical theatre École Jacques Lecoq. Ms. Williamson received an NEA Fellowship in Literary Translation in 2007 and is a member of the Lincoln Center Theater Directors Lab and the Literary Managers and Dramaturgs of the Americas.